I am Rex Jones. I shoot commercial photography for brands across the American West. The work below covers tourism, hospitality, adventure, aviation, outdoor, food and beverage, and industrial clients across resort properties, helicopter tour operators, swimwear launches, coffee gear, utility locating crews, and everything in between. The thread that runs through all of it is the same.
Precision in composition. Attention to color and light. Timing that lands the frame at the moment the frame is most worth landing. An overt amount of effort to excel on every shoot, on every frame, on every edit. The brands listed below hired me because they needed imagery that gets remembered, not imagery that fills space on a website. That is the only kind of commercial photography I am interested in making. The work below spans more than a decade, multiple states, dozens of clients, and every kind of light the American West throws at a camera. What follows is the body of work that makes the case better than I can.
Every project above started the same way. A client with a problem to solve, a brand to launch, a property to sell, a service to show. My job was to make the imagery that did the solving, the launching, the selling, the showing. I work solo on most projects, with the same camera in my hands across every shoot, with the same standard applied to every frame regardless of whether the client was a global franchise or a single-market operator. The list above is not comprehensive. It is the photography work I am willing to put on a hub page and stand behind. If your brand needs imagery that holds up against this body of work, the contact form is one clicks from here. So is the conversation that comes after.
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